An editing contract names the editing level — developmental ($0.03–$0.09/word), line ($0.02–$0.05), copyediting ($0.01–$0.03), or proofreading ($0.008–$0.02) — because each is a different service with a different price. Standard structure: a paid or free sample edit to calibrate expectations, a deposit of 25–50%, a delivery schedule tied to word count, one Q&A/cleanup pass included, and a clause stating the author retains all rights and final say over every change.

Editor Contract Template

Reviewed by the Agiled editorial teamUpdated June 2026

Most editor–author disputes are really scope disputes in disguise: the author expected a developmental assessment and got comma fixes, or paid for a copyedit...

Part of our free contract template library — 75+ agreements in Word and PDF, ready to customize and sign.

Full template text

EDITING SERVICES AGREEMENT
This Editing Services Agreement ("Agreement") is entered into as of [Effective Date] by and between:
Editor: [Editor Legal Name], with address at [Address] ("Editor")
Client: [Client Legal Name / Organization], with address at [Address] ("Client")
Collectively referred to as the "Parties."
1. SCOPE OF EDITING SERVICES
1.1 The Editor shall provide the following editing services ("Services"):
(a) Type of Editing: [Developmental editing / Substantive editing / Copy editing / Line editing / Proofreading / Video editing / Content editing — select applicable type(s)];
(b) The Services shall include: [detailed description, e.g., for copy editing: correcting grammar, punctuation, spelling, and syntax errors; ensuring consistency in style, tone, and terminology; flagging factual inconsistencies and unclear passages; formatting according to the specified style guide];
(c) Style Guide: [Chicago Manual of Style / AP Stylebook / APA / Client's House Style Guide / N/A for video editing];
(d) [For video editing: assembling footage, narrative structuring, pacing, color correction, audio balancing, title insertion, export in specified formats].
1.2 Services not described in this Section are excluded and may be added by written agreement at additional cost.
2. MATERIAL DESCRIPTION
2.1 The Client shall submit the following material for editing:
(a) Content Type: [Book manuscript, article, blog post series, marketing copy, technical documentation, video footage, etc.];
(b) Estimated Length: [Word count for text / Runtime for video / Number of pages];
(c) Subject Matter: [Topic/genre];
(d) Format: [Word document, Google Docs, Final Cut Pro project, Premiere Pro project, etc.];
(e) Current State: [First draft, revised draft, rough cut, assembled footage, etc.].
2.2 The Client shall submit the complete material to the Editor by [Submission Date]. If the Client submits material late, the editing timeline shall be extended proportionally.
2.3 If the submitted material differs significantly from the description above (substantially longer, in a different state of readiness, or requiring a different type of editing), the Editor may propose a revised scope and fee.
3. TIMELINE
3.1 The project timeline is as follows:
(a) Client submits material: [Date];
(b) Editor completes first pass: [Date or number of business days from receipt];
(c) Client reviews edits and responds to queries: [Number] business days;
(d) Editor completes second pass (if included): [Date or number of business days];
(e) Final delivery: [Date].
3.2 The Editor shall notify the Client promptly if the timeline is at risk due to material complexity or other factors.
4. DELIVERABLES
4.1 The Editor shall deliver the following:
For Text Editing:
(a) Edited manuscript with tracked changes and editorial comments;
(b) A clean version of the edited manuscript with all changes accepted;
(c) A style sheet documenting editorial decisions regarding terminology, formatting, and style preferences;
(d) [If applicable: An editorial report summarizing major recommendations and structural feedback].
For Video Editing:
(a) Edited video in [format(s), resolution(s)] via [delivery method];
(b) [If included: Project files for further editing];
(c) [If included: Multiple export versions (social media cuts, full-length, trailer)].
4.2 Deliverables shall be provided via [email, file sharing, cloud storage, physical media].
5. REVISION ROUNDS
5.1 The Project Fee includes [Number] editing pass(es) through the material.
5.2 After the initial editing pass, the Client may request [1] additional revision pass within the included scope. The revision pass addresses the Client's responses to editorial queries and any corrections or adjustments within the originally agreed editing scope.
5.3 Additional editing passes beyond those included shall be billed at $[Rate] per [word / page / hour / flat fee per pass].
5.4 Requests for a different type of editing than originally agreed (e.g., requesting developmental editing when copy editing was contracted) constitute new scope and require a separate agreement and fee.
6. COMPENSATION
6.1 The total fee for the Services is $[Total Amount] ("Project Fee"), calculated as follows:
(a) [Per-word rate: $[Rate] per word x [estimated word count]];
(b) [Per-page rate: $[Rate] per page x [estimated page count]];
(c) [Hourly rate: $[Rate] per hour x [estimated hours]];
(d) [Flat project fee: $[Amount]].
6.2 If the actual material length exceeds the estimated length by more than [10]%, the Editor may adjust the fee proportionally with written notice to the Client.
7. PAYMENT TERMS
7.1 Payments shall be structured as follows:
(a) [50]% of the Project Fee due upon execution of this Agreement ("Deposit");
(b) [50]% due upon delivery of the completed editing.
[For larger projects, consider a three-payment structure: 33% deposit, 33% at midpoint, 34% upon delivery.]
7.2 The Editor shall not begin work until the Deposit is received.
7.3 Payments shall be made by [check, bank transfer, PayPal, etc.].
7.4 Late payments shall accrue interest at [1.5]% per month.
8. CLIENT RESPONSIBILITIES
8.1 The Client shall submit the material in the agreed format and by the agreed date.
8.2 The Client shall respond to editorial queries within [5] business days.
8.3 The Client shall provide any necessary reference materials, style guides, or brand guidelines before the Editor begins work.
8.4 The Client shall designate a single point of contact for editorial decisions to ensure consistency and efficiency.
9. CONFIDENTIALITY
9.1 The Editor shall treat all material and information received from the Client as confidential and shall not disclose, share, or distribute the Client's content to any third party without the Client's prior written consent.
9.2 The Editor shall take reasonable measures to secure the Client's files, including password protection and secure file transfer methods.
9.3 Upon completion of the project and final payment, the Editor shall delete or return all copies of the Client's material within [30] days, unless the Client provides written instructions to the contrary.
9.4 This confidentiality obligation survives termination for [3] years.
10. COPYRIGHT AND OWNERSHIP
10.1 The Client retains full ownership of and copyright in their original content, both before and after editing.
10.2 The Editor does not claim any ownership interest in the Client's content by virtue of providing editing services.
10.3 The Editor retains ownership of their proprietary editorial tools, style sheets, and editorial frameworks developed independently of the Client's content.
11. EDITOR'S CREDIT
11.1 [The Client shall acknowledge the Editor in the published work as "[Editor Name], Editor" / The Editor waives any right to credit — select applicable option].
11.2 The Editor may reference the Client and the project in their professional portfolio and marketing materials, unless the Client notifies the Editor of confidentiality restrictions under Section 9.
12. CANCELLATION
12.1 If the Client cancels the project:
(a) Before the Editor begins work: The Deposit is refunded less a $[Amount] administrative fee;
(b) After the Editor begins work but before completion: The Client shall pay for all work completed to date, calculated at the agreed rate, with a minimum charge equal to the Deposit;
(c) After the Editor delivers the completed work: [100]% of the Project Fee is owed.
12.2 If the Editor must withdraw from the project due to illness or emergency, the Editor shall refund any fees paid for work not yet completed and shall cooperate in transitioning the project to another editor.
13. LIABILITY LIMITATION
13.1 The Editor's total liability under this Agreement shall not exceed the total Project Fee.
13.2 The Editor is not responsible for errors or issues in the Client's content that are outside the defined editing scope.
13.3 The Editor shall not be liable for indirect, consequential, or incidental damages arising from the edited content.
13.4 The Client acknowledges that editing improves but does not guarantee the commercial success or publication of the content.
14. INDEMNIFICATION
14.1 The Client shall indemnify the Editor against claims arising from the Client's content, including claims for defamation, copyright infringement, or invasion of privacy.
14.2 The Editor shall indemnify the Client against claims arising from the Editor's negligence or breach of confidentiality.
15. INDEPENDENT CONTRACTOR
15.1 The Editor is an independent contractor. Nothing in this Agreement creates an employment, partnership, or agency relationship.
16. GOVERNING LAW AND DISPUTE RESOLUTION
16.1 This Agreement shall be governed by the laws of the State of [State].
16.2 Disputes shall first be submitted to mediation. If unresolved within [30] days, disputes shall be settled by binding arbitration in [City, State].
17. GENERAL PROVISIONS
17.1 This Agreement constitutes the entire agreement between the Parties.
17.2 Amendments require written agreement by both Parties.
17.3 Unenforceable provisions do not affect the remainder.
17.4 Assignment requires prior written consent.
17.5 Notices shall be in writing to the addresses stated above.
IN WITNESS WHEREOF, the Parties execute this Agreement as of the Effective Date.
EDITOR:
Signature: ___________________________
Name: [Editor Name]
Date: ___________________________
CLIENT:
Signature: ___________________________
Name: [Client Name / Authorized Representative]
Title: [Title] (if applicable)
Date: ___________________________

Copyediting
$0.01 – $0.03 per word
Developmental
$0.03 – $0.09 per word
Deposit
25% – 50% to book the slot
Rights
Author keeps everything; edits are suggestions

What your editing contract should cover

01

Editing level, defined

Developmental (structure, plot, argument), line editing (sentence-level style and flow), copyediting (grammar, consistency, style-guide compliance), or proofreading (final-pass errors only). Name one — 'editing' unqualified is the root of every mismatch.

02

Manuscript length and rate basis

The agreed word count and the per-word rate (or project fee derived from it). Manuscripts that arrive meaningfully longer than quoted re-price at the stated rate — growth between quote and delivery is common.

03

Style guide and language variant

Chicago, AP, APA, or house style; US/UK/AU English. A copyedit without a named style guide produces consistency the author may not want — pick the standard before page one.

04

Sample edit

A 1,000–2,000 word sample (free or paid) before the contract is signed. It calibrates the editor's level of intervention against the author's expectations — the cheapest dispute-prevention tool in publishing.

05

Deliverables and tracked changes

Edited manuscript with tracked changes, a style sheet (names, spellings, hyphenation decisions), and — for developmental work — an editorial letter of stated length. The author accepts or rejects every change; the editor advises, never overwrites.

06

Schedule and delivery date

The slot start date (editors book weeks out), the delivery date, and what manuscript lateness does to both — late arrival typically shifts the slot to the editor's next opening, not the day after arrival.

07

Included follow-up

One Q&A/cleanup pass over the author's responses to queries is standard. A full second edit of revised material is a new engagement at a stated rate — the line between the two belongs in writing.

08

Payment schedule

25–50% deposit to book the slot, balance on delivery — or thirds on long manuscripts (booking / midpoint / delivery). The deposit is non-refundable once the slot is within a stated window, because turned-away work doesn't come back.

09

Confidentiality and credit

The manuscript stays confidential; the editor may list the project in their portfolio after publication unless the author opts out. Ghostwriting-adjacent arrangements need explicit credit terms.

Typical editorial rates (U.S., 2026)

ServiceTypical rangeNotes
Developmental editing$0.03 – $0.09/word80k-word novel: $2,400 – $7,200
Line editing$0.02 – $0.05/word
Copyediting$0.01 – $0.03/word
Proofreading$0.008 – $0.02/wordFinal pass, post-layout ideally
Editorial assessment$0.01 – $0.025/wordLetter only, no in-text edits
Hourly (business/academic)$40 – $100/hrEFA rate ranges align here
Rush premium+25% – 50%Compressed schedules

Ranges align with Editorial Freelancers Association published rate data. Heavily technical material, ESL-authored text requiring deep intervention, and rush schedules price above range.

How editing contracts work in practice

The indie novelist's pipeline

Self-publishing authors typically buy editing in sequence: developmental edit, revision, then copyedit, then proofread after layout. The contract scopes one stage at a time — a developmental editor who also copyedits the same draft is wasting the author's money, since the copyedit happens on text that's about to be rewritten. Editors who offer bundled packages should price and schedule each pass separately in the agreement, with the later passes contingent on revised manuscript delivery dates.

Academic and thesis editing

Thesis work adds an integrity boundary: most universities permit language and clarity editing but prohibit contributions to argument or content. The contract states the permitted intervention level (often citing the institution's editing policy), uses the required style guide (APA, Chicago, or the department's), and delivers tracked changes so the supervisor can see exactly what the editor touched. The boundary clause protects the student's degree and the editor's reputation simultaneously.

Business documents on retainer

Companies with recurring editorial needs — reports, proposals, web copy — run better on a monthly retainer (a set hour bank at $40–$100/hour equivalents) than per-word pricing, because business documents arrive irregularly and need fast turnaround. The agreement defines the hour bank, turnaround tiers (48-hour standard, 24-hour rush at a premium), rollover rules, and the style sheet the editor maintains as the company's de facto house standard.

Mistakes that weaken a editing contract

Selling 'editing' without naming the level

The author hears 'fix everything'; the editor means 'copyedit.' Define the level and what it excludes — the sentence 'this edit will not address plot, structure, or argument' has saved a thousand relationships.

Skipping the sample edit

Editing intervention is a spectrum, and authors discover their preferences only when they see their own text edited. A 1,500-word sample before signing prevents the full-manuscript mismatch.

Quoting blind on word count

Manuscripts grow, and 'about 80,000 words' arrives at 105,000. Quote on a stated count with a re-pricing clause at the agreed per-word rate for the overage.

Unlimited post-delivery questions

One cleanup pass is service; an open-ended consultation channel is unpaid work. Include the single Q&A pass, then offer a follow-up rate.

Editing without a style sheet

The style sheet is the edit's institutional memory — every spelling, hyphenation, and capitalization decision recorded. Without it, the proofreader relitigates the copyeditor's choices at the author's expense.

How to use this template

  1. 01

    Download the editor contract template in Word or PDF.

  2. 02

    Run a sample edit and confirm the editing level matches the author's expectations.

  3. 03

    Set the word count, per-word rate, style guide, and language variant.

  4. 04

    Define deliverables: tracked changes, style sheet, and editorial letter where applicable.

  5. 05

    Set the slot dates, the delivery date, and the included Q&A pass.

  6. 06

    Collect the deposit to book the slot and have both parties sign.

Skip this template if…

  • Ghostwriting — writing original text is a different engagement with different rights and credit terms.
  • Translation editing into a language the editor isn't native in — bilingual revision is a specialist service.

FAQs

How much does an editor cost?

Per-word rates: developmental editing $0.03–$0.09, line editing $0.02–$0.05, copyediting $0.01–$0.03, and proofreading $0.008–$0.02. For an 80,000-word novel, that's roughly $800–$1,600 for a proofread up to $2,400–$7,200 for a developmental edit. Hourly business editing runs $40–$100.

What's the difference between copyediting and developmental editing?

Developmental editing addresses the big picture — structure, plot, pacing, argument — usually via an editorial letter plus margin notes. Copyediting addresses correctness and consistency at the sentence level: grammar, spelling, style-guide compliance. They're different services at different prices, performed at different stages.

Should I get a sample edit before hiring an editor?

Yes. A 1,000–2,000 word sample (free or modestly paid) shows the editor's level of intervention on your actual prose — the only reliable way to calibrate expectations before committing a full manuscript fee. Most professional editors offer one as standard practice.

Who has final say over edits?

The author, always. Professional editing contracts state that all changes are suggestions delivered via tracked changes, the author retains complete control and all rights to the work, and the editor receives no ownership interest in the manuscript.

How do editors charge — per word, per page, or hourly?

Per-word is the cleanest for manuscripts and the industry norm for fiction and nonfiction books. 'Per page' conventionally means 250 words. Hourly suits business documents and heavily variable work — pair it with an estimate cap so the client controls exposure.

How far in advance do editors book?

Established freelance editors commonly book 4–12 weeks out, which is why contracts take a deposit to hold the slot and state what happens when a manuscript arrives late — usually the project moves to the editor's next opening rather than delaying everyone behind it.

Need more than a template?

Create, send, and e-sign contracts with Agiled — alongside your CRM, invoicing, and projects.

Start free with Agiled